REVIEW – “The Killer”: Fincher Targets Himself in Unconventional Hitman Story
When exploring the filmmaking discipline of one David Fincher, one notices how much of a risktaker he can be. And certainly, how clever, witty, and keen he’ll be to probe…
Tilda Swinton
REVIEW – “Asteroid City”: Anderson Shoots for the Moon, Lands on a Curve
How fortunate could we be to live in a time where even the most eccentric and particular of filmmakers can find their way dabbling into dense meta territory? Mild apprehension…
REVIEW – “Guillermo del Toro’s Pinocchio”: No Longer the Same Old Story
Hard to believe, a year’s passed since audiences’ last encounter with the wonderfully imperfect genius of Guillermo del Toro. His reimagining of Nightmare Alley felt its impact stifled in the…
REVIEW – “The French Dispatch”: Wes Anderson, by Way of a Fantasia-esque Magazine
I remain as firm a Wes Anderson stan as the next person, but even I’m inclined to admit his definition of a perfect film can be best described as inconsistent….